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Of course, Mrs. Morel takes neither of her two elder sons (the first of whom dies early, which further intensifies her grip on Paul) as a literal lover, but nonetheless her psychological snare is immense. She loathes Paul's Miriam from the start, understanding that the girl's deep love of her son will oust her: "She's not like an ordinary woman, who can leave me my share in him. She wants to absorb him." Meanwhile, Paul plays his part with equal fervor, incapable of committing himself in either direction: "Why did his mother sit at home and suffer?... And why did he hate Miriam, and feel so cruel towards her, at the thought of his mother. If Miriam caused his mother suffering, then he hated her--and he easily hated her." Soon thereafter he even confesses to his mother: "I really don't love her. I talk to her, but I want to come home to you."
The result of all this is that Paul throws Miriam over for a married suffragette, Clara Dawes, who fulfills the sexual component of his ascent to manhood but leaves him, as ever, without a complete relationship to challenge his love for his mother. As Paul voyages from the working-class mining world to the spheres of commerce and art (he has fair success as a painter), he accepts that his own achievements must be equally his mother's. "There was so much to come out of him. Life for her was rich with promise. She was to see herself fulfilled... All his work was hers."
The cycles of Paul's relationships with these three women are terrifying at times, and Lawrence does nothing to dim their intensity. Nor does he shirk in his vivid, sensuous descriptions of the landscape that offers up its blossoms and beasts and "shimmeriness" to Paul's sensitive spirit. Sons and Lovers lays fully bare the souls of men and earth. Few books tell such whole, complicated truths about the permutations of love as resolutely without resolution. It's nothing short of searing to be brushed by humanity in this manner. --Melanie Rehak
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Book Description Paperback. Condition: new. Paperback. One of the landmark novels of the twentieth century.Since its publication in 1913, D. H. Lawrence's powerful and passionate third novel stands as one of the greatest autobiographical novels of the twentieth century. Here is the story of artist Paul Morel as a young man, his powerful relationship with his possessive mother, his passionate love affair with Miriam Leivers, his intense liaison with married Clara Dawes. Here, too, England's Derbyshire springs to life with both is sooty mining villages and deep green pastures, a setting as full of contrasts as the deep emotions that rule this remarkable book.Sons and Lovers is rich with universal truths about relationships; moreover, it brims with what Alfred Kazin has called Lawrence's "magic sympathy, between himself and life." Continues Mr. Kazin- "No other writer of his imaginative standing has in our time written books that are so open to life.Since for Lawrence the great subject of literature was not the writer's own consciousness but consciousness between people, the living felt relationship between them, it was his very concern to represent the 'shimmer' of life, the 'wholeness'.that made possible his brilliance as a novelist."With an Introduction by John Gross Paul Monel's childhood and early manhood in the English midlands are deeply affected by his devotion to and concern for his domineering mother. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780553211924
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Book Description Paperback. Condition: Brand New. reissue edition. 496 pages. 7.00x4.50x0.75 inches. In Stock. Seller Inventory # 0553211927