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9780676972153: The Colony Of Unrequited Dreams
fictional story

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In 1949, Joseph Smallwood became the first premier of the newly federated Canadian province of Newfoundland. Predictably, and almost immediately, his name retreated to the footnotes of history. And yet, as Wayne Johnston makes plain in his epic and affectionate fifth novel, The Colony of Unrequited Dreams, Smallwood's life was endearingly emblematic, an instance of an extraordinary man emerging at a propitious moment. The particular charm of Johnston's book, however, lies not merely in unveiling a career that so seamlessly coincided with the burgeoning self-consciousness of Newfoundland itself, but in exposing a simple truth--namely, that history is no more than the accretion of lived lives.

Born into debilitating poverty, Smallwood is sustained by a bottomless faith in his own industry. His unabashed ambition is to "rise not from rags to riches, but from obscurity to world renown." To this end, he undertakes tasks both sublime and baffling--walking 700 miles along a Newfoundland railroad line in a self-martyring union drive; narrating a homespun radio spot; and endlessly irritating and ingratiating himself with the Newfoundland political machine. His opaque and constant incitement is an unconsummated love for his childhood friend, Sheilagh Fielding. Headstrong and dissolute, she weaves in and out of Smallwood's life like a salaried goad, alternately frustrating and illuminating his ambitions. Smallwood is harried as well by Newfoundland's subtle gravity, a sense that he can never escape the tug of his native land, since his only certainty is the island itself--that "massive assertion of land, sea's end, the outer limit of all the water in the world, a great, looming, sky-obliterating chunk of rock."

The Colony of Unrequited Dreams bogs down after a time in its detailing of Smallwood's many political intrigues and in the lingering matter of a mysterious letter supposedly written by Fielding. However, when he speculates on the secret motives of his peers, or when he reveals his own hyperbolic fantasies and grandiose hopes--matters no one would ever confess aloud--the novel is both apt and amiable. Best of all is to watch Smallwood's inevitable progress toward a practical cynicism. It seems nothing less than miraculous that his countless disappointments pave the way for his ascension, that his private travails ultimately align with the land he loves. This is history resuscitated. --Ben Guterson

From the Inside Flap:
"The Colony of Unrequited Dreams" is Newfoundland--that vast, haunting near-continent upon which the two lovers and adversaries of this miraculously inventive novel pursue their ambitions.

Joey Smallwood, sprung from almost Dickensian privation, is a scholarship boy at a private school, where his ready wit bests the formidably tart-tongued Sheilagh Fielding. Their dual fates become forever linked by an anonymous letter to a local paper critical of the school--a letter whose mysterious authorship will weigh heavily on their lives.

Driven by socialist dreams and political desire, Smallwood will walk a railroad line the breadth of Newfoundland in a journey of astonishing power and beauty, to unionize the workers--and make his name. Fielding, now a popular newspaper columnist, provides--in her journalism, her diaries, and her bleakly hilarious "Condensed History of Newfoundland"--a satirical and eloquent counternarrative to Smallwood's story.

As the decades pass and Smallwood's rise converges with Newfoundland's emerging autonomy, these two vexed characters must confront their own frailties and secrets--and their mutual (if doomed) love.

The Colony of Unrequited Dreams combines erudition, unflagging narrative brio, and emotional depth in a manner reminiscent of the best of Robertson Davies and John Irving. Set in a landscape already made familiar to American readers by Annie Proulx and Howard Norman, it establishes Wayne Johnston as a novelist who is as profound as he is funny, with an unerringly ironic sense of the intersection where private lives and history collide.

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  • PublisherVintage Canada
  • Publication date1999
  • ISBN 10 0676972152
  • ISBN 13 9780676972153
  • BindingPaperback
  • Edition number5
  • Number of pages576
  • Rating

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Other Popular Editions of the Same Title

9780385495431: The Colony of Unrequited Dreams: A Novel

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ISBN 10:  0385495439 ISBN 13:  9780385495431
Publisher: Anchor, 2000
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  • 9780676971828: The Colony Of Unrequited Dreams

    Knopf ..., 1998
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  • 9780385495424: The Colony of Unrequited Dreams

    Doubleday, 1999
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  • 9781862300637: The Colony of Unrequited Dreams

    Anchor, 2000
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  • 9780385600279: Colony Of Unrequited Dreams, The

    Doubleday, 1998
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Book Description Softcover. Condition: Good. The Colony of Unrequited Dreams, a Canadian bestseller, is a novel about Newfoundland that centres on the story of Joe Smallwood, the true-life controversial political figure who ushered the island through confederation with Canada and became its first premier. Narrated from Smallwood's perspective, it voices a deep longing on the part of the Newfoundlander to do something significant, commensurate with the greatness of the land itself. The New York Times said, this prodigious, eventful, character-rich book is a noteworthy achievement: a biting, entertaining and inventive saga. a brilliant and bravura literary performance.Smallwood, born in 1900, is the first of thirteen children raised from the scruff of Newfoundland, as opposed to the quality. The colony is seen as an unworthy and negligible place: as his teacher from England says, The worst of our lot comes over here, inbreeds for several hundred years and the end-product is a hundred thousand Newfoundlanders with Smallwood at the bottom of the barrel.Smallwood, who still weighs only 75 pounds at the age of 20, seems an unlikely hero to fulfil what he sees as his mission: to transform the old lost land, with its lack of identity, into the new found land; and meanwhile to rise not from rags to riches, but from obscurity to world renown. With perseverance and determination, he sets about the task, becoming a journalist for a socialist newspaper in New York and then a union leader, at one point walking the 700-mile railway track across the island to sell memberships to the section-men living in shacks. He sees beyond his unpromising background, the cold and unrelenting hardship and isolation, envisioning a proud and great destiny. Eventually, a politician full of wild moneymaking schemes, he is swept into a world of intrigues and the machinations of the power elite, just as Newfoundland must decide whether to become an independent country or to join Canada.In counterpoint to the earnest endeavours of Smallwood, champion of the poor and the workers, is the Dorothy Parker-like figure of his lifelong friend, Sheilagh Fielding. Their paths first cross at the private school from which Smallwood is expelled, falsely accused of writing a letter critical of the school, and thenceforth their lives are inextricably intertwined. Fielding becomes an acerbic newspaper columnist, a hard drinker with a sharp tongue who shares a strange love-hate relationship with Smallwood. Her cynical columns and personal journals are interspersed among Smallwoods account, along with her irreverent and satirical Condensed History of Newfoundland.In writing a work of the imagination in part inspired by historical events, Johnston wanted to fashion out of the formless infinitude of factsa work of art that would express a felt, emotional truth. Adherence to the facts will not lead you safely through the labyrinthine pathways of the human heart. Johnston was 19 when he met the real Joe Smallwood; he was just starting out as a journalist, and Smallwood was less than complimentary about Johnstons reporting. Although the politician died only in 1991, little was written about his life before the age of fifty, allowing Johnston some license to imagine his formative influences.I wanted to write a big book about Newfoundland in scope and in vision. I couldn't think of a bigger character whose life touched on more themes, involved the whole of Newfoundland more completely than Smallwood did. Smallwood saw Newfoundland in terms of unrealized talent and unfulfilled ambition; his life was somehow emblematic of the land. Moreover, says Johnston, He was so prone to making mistakes and so fallible, and he combines so many contradictions in his personality. His quest, like that of many great literary figures of the past century, is to overcome these divisions. The completely invented character of Fielding, meanwhile, is like me, says Johnston. I share her view of Newfoundland. Seller Inventory # SONG0676972152

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