Circling the Sun [Paperback] Paula McLain - Softcover

An Amazon Best Book of July 2015: Sometimes a reader craves a good, old-fashioned yarn. This much anticipated novel from the author of The Paris Wife is exactly that: an engrossing story of love and adventure in colonial Africa, complete with gorgeous landscape, dissolute British ex-pats, and lots of derring-do with horses, motorcars and airplanes. That it is also the best kind of contemporary historical novel – the kind that teaches you something about the real people and events of the time – is a bonus. At the center of the novel is Beryl Markham (born – you gotta love it – Clutterbuck), the headstrong daughter of a British colonial who grew up more comfortable among the people and animals of her adopted Kenya than in the homes of its landed gentry. When Beryl’s mother leaves the family and her father gives up the farm, she marries (at 16) a gentleman farmer, a drunk too louche to be much of a husband. Like privileged but love-hungry teenage girls past and future, Beryl seeks companionship from her horses, becoming the first and greatest female horse trainer in the region. Along the way, she hobnobs with Kenyan high society, including, but not limited to, Karen Blixen (who authored her own epic story, Out of Africa, under the pen name Isaak Dinesen) and her lover Denys Finch Hatten (who will always be Robert Redford to those of us who watched him play the role in the movie version of Dinesen’s book.) Much bed-hopping and relationship-boundary-pushing ensue, with all the teeth-gnashing and yearning that goes along with it, no matter the era. Those who knew about Markham before reading this book may be surprised by how little there is about her as a pilot. She is, after all, the first woman to fly across the Atlantic from east to west, and she wrote her own memoir, 1942’s West with the Night; here, it is only in the book’s frame – a prologue and its final chapter – that we get a glimpse of the way that Beryl will, literally, soar. But McLain doesn’t seem interested in portraying her as a trailblazing feminist with an idea about changing the world; the Beryl Markham here is noteworthy precisely because she is NOT those things so much as a girl who grew up pushing back against conventions that got in her way. “But you’ve never been afraid of anything, have you?” Finch Hatten says to her in their last meeting. “I have, though,” she replies. “I’ve been terrified. . .I just haven’t let that stop me.” -- Sara Nelson